MARCH 1st, 2022 | Publication Date
There is a long history in the West of viewing Japan through the twin lenses of orientalism and exoticism. Following the Meiji Restoration of 1868 and the re-opening of Japan after a long period of self-imposed isolation there has been a succession of commentators who have sought to present Japan as somehow ‘other’ and not susceptible to ready understanding. Too often the study of Japanese architecture has followed this pattern or has been presented as a series of visual images that are explained as if they emerged from some unique alchemy of sensitivity and mysticism.
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