EL CABRILLO HISTORIC HOLLYWOOD TOWNHOME

Spanish Home-Historic Hollywood, Mid Century Spanish-Historic Hollywood, Spanish Real Estate-Historic Hollywood, Spanish Architecture-Historic Hollywood, Spanish Architectural-Historic Hollywood, Spanish House-Historic Hollywood,

El Cabrillo – Historic Hollywood townhome built in 1928. This Spanish-style courtyard complex embodies the spirit of stylish classic southern California living. Designed by self-taught Arthur & Nina Zwebell, the structure was commissioned by Hollywood mogul, Cecil B. Demille. The swoon-worthy townhome has soaring 20ft beamed ceilings, elegant ironwork, French doors, period sconces and an engraved stone fireplace. The unit also comes with Mills Act tax benefits.

THE ANDALUSIA HISTORIC WEST HOLLYWOOD CONDO

Spanish Home-West Hollywood, Mid Century Spanish-West Hollywood, Spanish Real Estate-West Hollywood, Spanish Architecture-West Hollywood, Spanish Architectural-West Hollywood, Spanish House-West Hollywood,

The Andalusia Historic West Hollywood condo, unit 8 is a stunning example of Spanish Revival architecture, listed on the National Register of Historic Places the property offers significant property tax savings through the Mills Act. An elegant building, built by Arthur and Nina Zwebell in 1926, it has a celebrated history, once home to Jimi Hendrix, Marlon Brando, Caesar Romero and Jason Schwartzman among others. This upper unit boasts interior spaces flooded with natural light. The living room’s lofted wood beam ceilings and clerestory windows create a light and bright, yet old-world feel.

SILVER LAKE MODERN -THE SKINNER HOUSE BY WILLIAM KESLING

Modern Home-Silver Lake, Mid Century Modern-Silver Lake, Modern Real Estate-Silver Lake, Modernist Architecture-Silver Lake, Mid Century House- Silver Lake, Modern Architectural-Silver Lake, Mid Century Home-Silver Lake,

Silver Lake Modern Home. The Skinner House, 1937. William Kesling, Architect. Los Angeles Historical-Cultural Monument #856. Streamline Moderne was both a reaction to Art Deco and a reflection of austere economic times. Gone was unnecessary ornament. Sharp angles were replaced with simple, aerodynamic curves. Ultimately, the designs were horizontal in their orientation, serving as a precursor to the modernist movement that would begin in earnest a decade later.